welcome 2 furcon 3005 – wintosha, KA | zine | Christopher Farmer
you can take the furry out of war… but you can never take the war out of a furry.
Read More welcome 2 furcon 3005 – wintosha, KA | zine | Christopher Farmeraltered & alternative experiences in art
you can take the furry out of war… but you can never take the war out of a furry.
Read More welcome 2 furcon 3005 – wintosha, KA | zine | Christopher Farmermiles over the root beam
were the sandcreepers
and the road bird,
verdigreen,
squashed under tire racks
reflections on designing for reflection in Pol Clarissou’s ‘orchids to dusk’
Read More a morbid duska game all about closed doors. you open some of them. find the architecture of the experience behind.
Read More Behind Closed Doors in The Stanley Parableaiming. Serotonin burger for the gills, push meat in between the sills. Planet made of light, I tell you, thinking of the thin king who rules my 15 hearts.
Read More through the eye. poemI have had Kara Stone’s game the earth is a better person than me on my desktop for about 2 years now. I only played it once, the day before yesterday. Why did it take so long? I do know the answer to that, but it’s not one I like. I was scared. Scared to […]
Read More the earth is a better person than me: what do you want, player?Return of the Obra Dinn really overestimates how much I’m willing to sympathise with a member of the East India Company
Read More Return of the Obra Dinn: Trash, boring, Orientalist crapSinging the praises of clay, genderqueer, private investigators everywhere.
Read More Dominique Pamplemousse, My HeroSilk wrapped around a handle, in the wild mint sprigs of a satellite’s eye cracking sound. little itty bitty spark makes the sweet sweat smell. freshly bound. and out thirteen weeks now. have you calcified a new disc yet? disc. digital ingestion of stored cubits. like licking the shiny bits.
Read More chew kin. poemParadox states that disabilities are represented ‘as respectfully as possible.’ This is unfortunately untrue.
Read More Crusader Kings 3: Eugenics at Play